Elton,
Elton everywhere
From Broadway to Vegas,
the Rocket Man invades every aspect of our lives
di Helen A.S. Popkin
da MSNBC
3 maggio 2006
Elton
John is everywhere. There’s barely a single aspect of
American pop
culture in which the pudgy pop star with ridiculous hair does not exist.
Face
it, kids. Elton John has reached critical mass. Society simply cannot
absorb any more Elton John. The dangerous fact is, we’re only
one
Disney soundtrack and/or sitcom cameo away from an explosion of Elton
John-themed restaurant franchises raining down across the continental
United States, Hawaii, Alaska and Puerto Rico.
Perhaps
you’ve been too occupied with “American
Idol,” the Britney Spears train
wreck or some other fleeting “People” magazine
moment to notice Sir
Elton’s insidious four-decade infiltration. But think about
it — his
countless hits on classic radio and karaoke machines? As a people, we
can’t zone out to reruns of “Will and
Grace,” “The Simpsons,” “South
Park” or even “The Nanny” without running
into an Elton John guest
appearance.
So
comfortable with his omnipresence, we barely blink an eye at the recent
news that the feud between Elton John and his former pop
protégé George
Michael is still going strong. We take it for granted that his April
“Elton’s Closet” tag sale at Rockefeller
Center in New York City raised
buckets of dough for the Elton John AIDS Foundation. Or that his Las
Vegas “Red Piano” show is still going strong, even
as he tours in
between appearances.
What’s
more, it seems only fitting that Elton John’s latest Broadway
foray is
“Lestat” a musical based on the beloved Anne Rice
vampire series.
Naturally, he’s shopping a semi-biographical sitcom based on
an aging
high-maintenance rock star and his entourage. But Miramax even snapped
up “Gnomeo and Juliet,” Sir Elton’s
garden gnome version of the bard
classic, with Kate Winslet attached. (No, really.)
As
you slide into your booth at the Goodbye Yellow Brick Road
Café and
order your Philadelphia Freedom Cheese Steak and Tiny Dancer Dessert,
ask yourself something. How is it that this 59-year-old Brit, who
arguably hasn’t put out a truly great album in decades,
managed to
implant himself in American consciousness sans his own reality show?
It’s
more than nostalgia for such endless hits as “Bennie and the
Jets,”
“Crocodile Rock,” “Island
Girl,” “Rocket Man,” “Saturday
Night’s
Alright for Fighting” or “Candle in the
Wind” (both the original and
the retooled Princess Diana tribute). It’s beyond the image
burned in
our brains of John’s Pinball Wizard in the Who’s
“Tommy,” with his
sequined glasses and four-foot-tall glittery platforms — or
any of his
other flamboyant costumes back in the day. And for those too young to
remember, it’s more than the “Lion King”
soundtrack burned into every
toddler’s brain.
Elton
John has succeeded at what F. Scott Fitzgerald claimed American lives
don’t have: a second act. Or to put it like Mufasa, Sir
Elton’s
completed the Circle of Life — three or four times. And
he’s done it
exceedingly well, overcoming a multitude of obstacles, any of which
have singularly felled lesser pop stars: drug addiction, money
problems, a failed marriage, bad hair, throat nodules, heart disease
(he’s got a pacemaker). And let’s not forget,
ol’ Elton poked his head
out of the closet long before it was the cool thing to do. The Queen of
England knighted him, to boot.
One might argue that the Rolling Stones have
been around longer, or that Madonna has expanded beyond her pop-star
status, but neither act is up to Sir Elton’s standards. The
Stones
continue to make money doing almost exactly the same shtick they
started with in the '60s. (In a just world, the Stones would be playing
the state fair, and the ticket price would be the price of admission.)
As for Madge, as they call Madonna in England, her other pursuits
—
acting, authoring and Judaism — are met with more snickers
than respect.
Meanwhile,
here’s Sir Elton, who’s had at least half a dozen
“retirement” tours,
still touring. He continues to crank out records, mediocre though they
might be. But he’s also scoring hit musicals, including the
Tony- and
Grammy-winning Broadway show “Aida” and the West
End production of
“Billy Elliot.” And he’s been a vocal and
visible HIV/AIDS prevention
spokesperson and charity organizer since the disease first appeared.
Sir
Elton is a model for gay rights, marrying his longtime partner David
Furnish the first day England allowed same-sex couples civil union.
Sure, he’s got a notoriously outsized ego, as evidenced in
the 1995
documentary, “Tantrums and Tiaras” (created by
David Furnish), but hey,
wouldn’t you?
Maybe
we take Sir Elton’s ubiquity for granted because
he’s so much like us.
Only talented. And famous. And rich ... really, really rich. OK, maybe
Elton is more like how we’d like to be. Think about it.
Beyond
talented, famous, and fabulously wealthy, here’s this chubby
guy
walking around, indulging in wig-and-weave hair antics, being openly
homosexual and seemingly not caring what you, me or anybody else thinks
about it. Who doesn’t want to feel that good about themselves?
Sir Elton is also admirably bitchy —
frequently quoted in gossip columns for the kind of snaps and comebacks
we wish we were witty enough to say. When Keith Richards said John is
best known for “writing songs about dead blondes,”
Sir Elton countered
by stating that Richards looks like a “monkey with
arthritis.” When
asked what he would give Liza Minnelli as a wedding present when she
married David Gest, he responded, “A heterosexual
husband.” Criticizing
Madonna, he said, “Anyone who lip-syncs in public on stage
when you pay
£75 to see them should be shot. That’s me off her
Christmas card list.
But do I give a toss?” (He later apologized for that one.)
While
Sir Elton may shout “rude, vile pigs,” at
paparazzi, as he did when he
was mobbed at a Taiwan airport in 2004, he’s not beyond
poking fun at
himself. “You can call me a fat, balding, talentless, old
queen who
can’t sing, but you can’t tell lies about
me,” he said after winning a
libel case against British paper, the Sun. He also happily performed a
song on the Howard Stern show that included the lyrics,
“Well, Oprah
Winfrey’s fat/Phil Donahue just take a hike/Why
won’t they let Howard
Stern on TV?”
So
he’s human. And like us, Sir Elton’s had his
problems. Problems with
finding his identity, problems with relationships; he had that
four-year marriage to female German recording engineer Renate Blauel in
the '80s. Despite the fabulous wealth, he’s had money
problems caused
at least in part by being a shopaholic. (What American can’t
relate to
that?) While financially solvent these days, Sir Elton certainly
isn’t
in recovery. Such an overshopper is John that there’s no need
for him
to start a celebrity clothing line; pretty soon we’ll all be
wearing
Prada T-shirts and Gucci blazers acquired at one of his many charity
tag sales.
Need
more evidence of John’s ability to seep into every aspect of
our lives?
He’s pitching for a part on “Desperate
Housewives.”
Another
four decades of Broadway shows, Disney movies and charity events, and
all the stuff we think is so important now —
“Survivor,” Lindsay
Lohan’s BMI, gasoline — will be long forgotten. But
Elton John, he’ll
still be here.
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